Filmmaker Kunle Afolayan has dismissed rumours of a feud with Funke Akindele, clarifying that there is “no bad blood” between the two despite a heated phone call.
Appearing on ARISE News, Afolayan explained that Akindele reached out to him after reports suggested he had criticized filmmakers who use high-energy dance routines to promote their movies.
According to him, the interpretation of his remarks triggered a strong reaction from the box-office star.
“She called me and said, ‘I know you don’t like me, but don’t mention my name in your interviews,’” Afolayan said, adding that she raised her voice before ending the call abruptly.
The award-winning director described the accusation as unexpected, given their long-standing relationship.
He explained that Akindele has always been close to him on a personal level, dating back to their university days, and that he was genuinely puzzled by the suggestion that he harboured any dislike for her.
Afolayan maintained that his comments had been misunderstood and taken out of context.
He stressed that he never condemned Akindele’s promotional approach or that of any other filmmaker, but was merely explaining what does or does not work for him personally.
“I didn’t say it was wrong. I said it’s not my style. It’s exhausting for me, but I have nothing against anyone who chooses that route,” he clarified.
He explained that the remarks were made at a film business forum attended by cinema operators, where discussions revolved around sustainability, returns on investment, and the realities of theatrical releases.
According to him, cinema owners had asked when he planned to return to cinemas, prompting him to speak frankly about the need for guaranteed financial viability.
In addressing the fallout, Afolayan offered an apology if his words caused offence, while also expressing discomfort with how the situation escalated online.
He criticised what he described as the mobilisation of social media attacks, noting that he would never respond to a disagreement in that manner.
Despite the controversy, Afolayan was quick to acknowledge Akindele’s achievements and strategic growth in the industry.
He revealed that he often cites her journey as a model for emerging filmmakers, praising how she built her brand steadily from modest beginnings.
He pointed out that Akindele started young, produced Jenifa on a lean budget, reinvested wisely, and gradually expanded her influence into the powerhouse brand she represents today.
Beyond the dispute, Afolayan also shared updates on his recent projects, revealing that Aníkúlápó Season Two has recorded an impressive debut on Netflix, topping Nigeria’s most-watched titles within 24 hours of release.
He added that the second and third seasons were filmed back-to-back.
He also dismissed claims that Netflix had withdrawn from Nigeria, explaining that while the platform may have paused commissioning new projects, it continues to acquire and license content, some on long-term agreements.
Afolayan further reflected on the emotional experience of curating screenings of his late father Ade Love’s films during Oyo State’s 50th anniversary celebrations, describing it as a deeply personal tribute to the pioneers of the industry.
Leave a comment